Seminar in Mainz: Essentials of Transformational Coaching

Recommended! On January, 19th-21st 2018, Karine Audeguy (France) and Pernille Plantener (Denmark) offer a Seminar on Transformational Coaching in Mainz, about 20 minutes from Frankfurt Airport. The seminar is suitable for those who want to start a coaching business as well as for those who have already learnt a different coaching techniques and want to widen their spectrum of tools or learn new perspectives helpful in coaching. The methods you learn can be implemented into your consultation or coaching practise right away. Also, there is an option to take this seminar as a beginning for a more extensive training in Transformational Coaching. The seminar will be held in English, but German, French and Danish will also be understood.

For more information, send an e-mail to me or Karine or Pernille! (Their e-mail-adresses are shown in the seminar announcement below).

Letting Go of Life

From my experience as a chaplain I see a lot of evidence that the ears of the dying are open till the last seconds. They may not be conscious. Maybe they’re like dreaming. But certainly they hear us and it makes a lot of difference what we say to them.
I remember being at the dying bed of a man. All the members of his family were assembled: His wife, his children and children in law, his brothers and sisters and grandchildren. Some of them were crying strongly. The man was breathing in short, quick, strong inhalations with long pauses between each breath and the next. I was wondering what he could understand of what was going on. He looked as if he were sleeping. Probably he was under a high dose of Morphine. I couldn’t detect any reaction in his face. When I prayed for him at the side of the dying bed I included a prayer that God may give both him and his family the ability of letting go while being aware of all the good that would rest with them. After the prayer there was a little silence. Then his daughter said: “Letting go is so hard. But I have heard that only when you let go of what you love it will really belong to you.” Then she looked over to her father and said: “He’s not breathing any more.” (Stefan Hammel, Loslassen und leben. Impress, Mainz 2016)

El cine a través del escaparate

Llovía. No había clase. Como cada sábado por la mañana, ella estaba detrás del mostrador de cristal donde se exponían panecillos, pasteles y otros productos de panadería y de pastelería para la venta. A través del escaparate veía como el viento barría las hojas de los arboles revoloteándolas por la calle.
Delante de la tienda una mujer luchó con su paraguas. Encima, en el escaparate, había una inscripción con letras gruesas que decía: “Panadería Müller”, en escritura invertida, desde luego, para alguien que lo leyese desde adentro. Cuando ella estaba sola y no tenía que atender a clientes, le gustaba imaginarse que este escaparate fuera una pantalla de cine y que lo que veía detrás de él fuera solo una película.
En su fantasía entonces cambiaba la escena. Los coches se volvían en carruajes, las hojas en pájaros y, por ejemplo, esta mujer con el paraguas se convertía en su madre luchando contra un dragón furioso. Especialmente esta imagen le divertía mucho. Su madre, que lo entendía todo mal, que malinterpretaba sus palabras, que sabía convertir lo bueno en malo y lo malo en bueno, probablemente también hubiera podido superar un combate contra un dragón furioso o por lo menos hubiera conseguido un empate. Hasta el próximo combate.
La mujer con el paraguas había desaparecido hace tiempo. Ahora ella se imaginaba, pues, qué le gustaría escribir en el escaparate en lugar de la palabra aburrida: “Panadería Müller”. ¿Qué tal si fuera “eres importante para mí”, “de todas formas te quiero” o “me enojo contigo porque te quiero”? O quizás también: “Te enojo …”. Sonreía un poco pensando en esto. Se figuró el efecto que tuviera esta inscripción en la gran luna del escaparate. Toda la gente que pasara por la panadería podría leerla, también su madre. Ella se figuraba entonces la inscripción: “Eres importante para mí”. ¿Podría su madre finalmente entenderla entonces a ella? Se la imaginó parada delante del escaparate, frunciendo y meneando la cabeza. Entonces se le ocurrió la idea: “Tienes que colocar tus palabras en escritura invertida.”

(Por Stefan Hammel, traducción: Bettina Betz)

Snail and Vole

A story by Katharina Lamprecht

A vole watched a snail, which dipsy-doodled along a path and asked her: “Why do you crawl so arduously back and forth? Doing that it takes you much longer to get forward”. The snail sighed. “That’s true, but I always look on both sides of the path for something to eat. When I´m on the left side I keep thinking, that there might be better food on the right. When I´m on the right side I think the same and therefore go back to the left. I´m always afraid that I will overlook some yummy greens”. The vole understood perfectly. “I´ll help you. I´m a big taller than you are and walk in the middle of the path, that´s a good lookout. You can stay on the right side and in case I see something worth coming over to the left, I´ll let you know”. And in this way they went on. The vole saw many lush and juicy herbs on the left side, but it didn’t say a word. Because now, giving all her attention to just one side of the path, the snail found enough treats. After a while, as the snail discovered that she found enough to eat, she thanked the vole for the help and went on by herself. Just following her path.

Midsummer Night’s Dream

Another beautiful story by Katharina Lamprecht

One day, it was Midsummer and the Swedish days where as long as the dinner table for the king’s birthday. A wise old moose on his evening stroll met a young boy, sitting on a moss covered tree trunk, sobbing deeply. The old moose stopped and looked at the boy who did not notice him because of all his despair. Not until the moose nudged him with his soft muzzle did the boy raise his eyes. And just in front of him he saw the big brown eyes of the moose. He saw in those eyes all the stars in the heavens that he could not see before on this Midsummer night. So big, so deep and so endless the eyes seemed to be that he got the feeling he could just take a walk right into them. The stars where so beautiful, like jewels, iridescent and glittering in all colors he could imagine, scattered like the crumbles on grandma’s apple-pie, big ones and small ones, thick and thin ones, each of them meaningful and unique. At the sight of all those treasures the boy got the feeling he was surrounded by good friends, who bestowed upon him potency and love.

So they stood for a long time and looked at each other, the young boy and the old moose. Then the moose blew his warm and soft breath through the boy’s hair, turned around and faded into the forest. The boy looked after him for a long time, as if in trance, and only after a while did he discover that his infinite sadness had transformed. It was still there but all of a sudden there was also a happiness and cheerfulness. And he somehow felt that this had something to do with the stars he had seen in the fathomless eyes of the old moose.

He turned around and walked back home. And whistling happily away he kicked at the stones that laid on his way.

The Wash

This is another story by my colleague and friend Katharina Lamprecht

Once there was a little ghost, who felt so down and out that it could not even find any pleasure in haunting its tiny world. The days seemed to be like huge impassable mountains and even the tiniest movement was too much for it. It felt so run down that a gust of wind was able to grab it and sweep it into a washing trough, where linen was being soaked. Too wet, too heavy in body and mind and too tired the little ghost sighed and sank to the bottom of the trough.
Now because it looked exactly like a linen, the washer women took it through the whole procedure of wringing and mangling and put it on the clothesline in the end. There it was, hanging down from the line, flabby and damp and drifting feebly in the summer breeze.
The more it dried, the more effortlessly it flapped around on the clothesline but in its sad and doleful condition it could not feel or sense its lightness. But then a little girl walked by, stopped and looked at it for a while. Then, with a yearning in her voice, she said, “Oh, if I were able to fly so easily in the wind, I would laugh and sing and enjoy my day”. She went off but the little ghost looked after her for a long time and thought, “Oh, you would, would you?” and started to move just a tiny little bit on its own.

El vuelo del águila

No sé si ya alguna vez hayas visto un águila. Claro, en el parque zoológico, pero en eso no estaba pensando. Si uno ve un águila en el zoológico, esa parece sin ganas, cansada y medio dormida. ¿Pues qué debería hacer? Un águila fue creada para volar, y eso no lo puede hacer en una jaula, en todo caso no verdaderamente. Lo que a mí me impresiona de las águilas es su fuerza y como la manejan. Se podría pensar que un ave tan grande también aleteara fuertemente cuando vuela. Pero eso no le hace falta a un águila. Traza círculos en el cielo, y aunque solo pocas veces mueve sus alas, puede subir hasta que la perdemos de la vista. ¿Cómo es que el águila sabe que es capaz de volar? Si un semejante animal pudiera hablar – creo que no empezaría a cuestionar la existencia del aire antes de ponerse a volar. Las águilas no necesitan pruebas. A ellas les basta de ser sostenidas. El resultado les sirve de prueba.

Des pieds engourdis

Un jour d’hiver alors que tu as fait une longue randonnée, il peut arriver que tu ne sentes plus tes pieds. Et au début quand tu arrives au chaud tes pieds sont encore engourdis. Peut-être les poses-tu sur un radiateur – ce qui est bizarre c’est qu’ils commencent juste à faire mal une fois que le froid est passé et non avant dans la glace et la neige. Un fou pourrait dire : je ne décongèle pas mes pieds alors ils ne font pas mal. Pourtant celui qui a de l’expérience sait : La chaleur endolorit les pieds froids seulement un moment. Il faut dépasser cette phase. Une fois la douleur surmontée on passe à un moment de chaleur agréable.

Fred

« Ceci est une poubelle », a déclaré Louise alors qu’elle me remettait le monstre en carton-pâte avec le museau grand ouvert. À partir de ce moment-là Fred, le monstre de la poubelle, s’est trouvé assis dans la salle de délibération en attendant de la nourriture. Au début Fred se contentait des déchets du bureau. Pourtant alimenté par des déchets mentaux de beaucoup de conversations il prenait goût à toutes ces choses dont les clients n’avaient plus besoin et qu’ils voulaient laisser dans la salle de délibération. J’ai pris l’habitude de présenter Fred aux clients. Avec le temps Fred bouffait les mots maladroits du thérapeute et les pensées lourdes des clients. Il bouffait des souvenirs accablants et des habitudes mal aimées. Une cliente envoyait ses pensées dépressives même de la maison à Fred. À la fin Fred mangeait aussi ce qui me pesait lourd. Et la nuit il pouvait … consommer tous les rêves disgracieux.

Everything Else

In a land in our time there lived a man, who read a book and found lots of wonderful stories therein. There were true and invented stories, experienced and pensive, enjoyable and painful stories. There were stories which contained stories, and such which were actually not stories. For every story he read, there occurred to him nearly five which he had either experienced or thought up himself. So the thought came to him, that a lot in the world was a story which could be healing for himself and others; he only needed to absorb the healing stories well and to forget the terrible ones immediately. Then he would learn which story he had used when and for what. So he organised his own stories which he knew, and which had become a help to himself and others, or could become so. Sometimes he noted it down when a new story came to his ears and sometimes when a helpful story occurred to him, he memorised it.

Then he saw before him in a picture the storystories of this life arranged in long shelves, as in a large pharmacy. And behind the counter there sat a man who had learnt to listen to himself and others. He was a master of his subjectspecialty. His talent was that he understood how to tell the right thing at the right time to himself and to those who visited him.